War Post

 

Looking for the price of black market goods in Baghdad or a Slate-style daily round-up of Iraq’s newspapers? IraqSlogger has that and more, from a "Kirkuk Police Blotter" to categories about insurgents and journalists that are more substantitive than anything in the newspapers quoted on Slate. For example:

The Sunni fundamentalist website Islam Memo reports that joint U.S.-Iraqi forces are raiding civilian residences in Fallujah and breaking up TV sets of families who are caught watching the banned Zawraa TV satellite channel. At least one resident, Kamel Ahmed Hamadi, of Nazzal district in Fallujah, was detained. One person reportedly asked the raiding force in English about freedom of the press and as a result got a slap in the face by an American soldier, Nazzal district residents said.

"Safavids are Forbidden to Enter" was scrawled under a sign that reads "Welcome to Baghdad" at the Mahmudiya intersection, south of Baghdad, according to an Islam Memo correspondent. Safavid is a reference to the Persian Safavid Empire that invaded Iraq during the 16th and 17th centuries and massacred thousands of Sunnis. It is a derogatory term used by Sunni insurgents and fundamentalists to describe the Shia, their militias, and even Iraqi security forces. Two IEDs that were placed under the sign exploded when a police commando force attempted to wipe out the graffiti, killing and wounding several policemen.

The site went up recently and splits much of its content as "StateSde" anad "IraqiSide." Most of all, the latter includes an "Iraqi Diary;" the most recent post is from a woman in Baghdad writing about her 22 year-old cousin, a Sunni, who was killed because his fiance was Shia. To the question of why it also includes a "humor" link, the editors say they based the decision "in part because Iraqis and U.S. troops have a wickedly morbid sense of humor."

Graphic via Iraq Slogger.

November 6, 2003 

 

There’s been a recent surge in attention the blog is getting and I feel a little overwhelmed. I’m one month into an eighteen month deployment. We haven’t even done anything yet. Soldiering is boring work with scarce and brief moments of intensity. I’m in for the long haul. There isn’t going to be a tidy coda after two hours of Josh Hartnett mugging for the camera. Credits won’t ever roll and house lights don’t go up for a long long time. On top of it, I’m in the National Guard. The guard isn’t cool, it’s a place for unrepentant masochists with a lot of karma to work off. We’re gluttons for punishment that jones for a monthly grunt fix. If I were cool, I’d join the friggin’ Ranger Battallion and start talking shit about how I’m gonna try out for Delta or SEAL team six. In real life I’m a geek. I’ve never read Black Hawk Down. I miss the city and I just want to get back and finish school. This “war on terror” crap has totally ruined my semester. Okay, at least this time I have an enemy. Now who was it again? I did a month guarding the West 4th station from 8pm - 1am (terrorist hours?) which was cool for about two days. Anways, I love everyone for all the wonderful things they’ve shared with me, but we haven’t even started to roll yet. Oh yeah, my company motto it “Let’s Roll.” Todd Beamer’s last words are now ubiquitous and tiresome. I’m certain he cringes everytime he hears it.

The NYT Book Review asked a few writers for war books "they find particularly illuminating." Here’s Anne-Marie Slaughter, dean of the Woodrow Wilson School of Public and International Affairs at Princeton and author of “A New World Order,” on Michael Herr’s Dispatches:

"With intensity so strong I can almost smell and feel the jungles of Vietnam, Herr chronicles the brutality and boredom of war without intermediation, redeeming glory, medals or even a belief in a cause."

Maybe it’s a bit of wishful thinking, but the omission of Orwell’s Homage to Catalonia, and, most recently, Jon Lee Anderson’s The Fall of Baghdad dims the list. That, and no mention of The Quiet American by Graham Greene.

A good idea for the Book Review, but one that seems too much like the editor at the last minute, flipping through the Times’ Rolodex for a feature.

Why The Quiet American? Here:

Down we went again, away from the gnarled and fissured forest towards the river, flattening out over the neglected ricefields, aimed like a bullet at one small sampan on the yellow stream. The cannon gave a single burst of tracer, and the sampan blew apart in a shower of sparks: we didn’t even wait to see our victims struggling to survive, but climbed and made for home. I thought again as I had thought when I saw the dead child at Phat Diem, ‘I hate war.’ There had been something so shocking in our sudden fortuitous choice of a prey—we had just happened to be passing, one burst only was required, there was no one to return our fire, we were gone again, adding our little quota to the world’s dead.

Hans Haacke, Paula Cooper Gallery, 534 W. 21 St. Nov. 5-Dec. 23, 2005.

Photos confirm US raid child deaths

 

Mark Danner writes for the New Yorker and is a professor at Berkeley and Bard. He spoke in Cairo last week as a visiting professor at AUC, days before returning to Iraq to cover the civil war. Hear his lecture here.

Danner’s essay in the current New York Review of Books frames the course in Iraq in the 2002 warning of a then-98 year-old George F. Kennan: "Today, if we went into Iraq, like the president would like us to do, you know where you begin. You never know where you are going to end."

To what end will the exposure of the incompetence and criminality of bureaucratic decisions of the last 4 years lead? The American perception to the war was blinded; it’s more recently that the lethal blunders of the White House and Pentagon are being laid bare, in Bob Woodward’s State of Denial and in reviews/essays like Danner’s and the Economist’s Max Rodenbeck, also in NY Books. Condoleeza Rice didn’t know the chain of command in Iraq and Paul Bremer was stubborn in following orders to De-Baathify Iraq and immediately disband the army — even if the State Dept. knew nothing about the orders and found out about them after the fact, in the newspapers. As Danner writes,

Since the first thrilling night of shock and awe, reported with breathless enthusiasm by the American television networks, the Iraq war has had at least two histories, that of the war itself and that of the American perception of it. As the months passed and the number of attacks in Iraq grew, the gap between those two histories opened wider and wider.

The real shocks of the conflict — beyond that the decision makers in the Pentagon and White House were foreign policy amateurs to horrific degrees — are the human costs in Iraq and the dominance of what Danner calls a "War of Imagination" in America since 9/11. Leaders imagined transformation through a dilettante strategy for a new Iraq and a new Middle East; the region would mold itself to evangelical idealism and neocon pet projects, like Ahmad Chalabi, no matter how far apart that view was from all reality in Iraq and beyond. The American public, responding to buzz words and reminders of terror broadcast out of Washington to a cowed, obsessed media, widely believed the image. The bodies of American soldiers and arguments over how many hundreds of thousands of Iraqis have died jolted the dream.

…for most Americans, the War of Imagination—built of nationalistic excitement and ideological hubris and administration pronouncements about "spreading democracy" and "greetings with sweets and flowers," and then about "dead-enders" and "turning points," and finally about "staying the course" and refusing "to cut and run"—began, under the pressure of nearly three thousand American dead and perhaps a hundred thousand or more dead Iraqis, to give way to grim reality.

While Danner, like many others, sees in the midterm elections a public coming-to-grips with reality and a call to dramatically alter the American course in Iraq, I’m still skeptical. This is from the detachment of living in Cairo, but whether it’s the continued controversy of the term "civil war" in American war talk or the insistence, even today, on the benefit of free elections in a country that thousands flee daily, can you say the American public is really outraged?

Will they ever be, or is this Bush’s ultimate Mission Accomplished?

Art work: George Grosz. (American, 1893-1959. Born and died in Germany.). Die Gesundbeter (German Doctors Fighting the Blockade) from Got mit uns (God for us). (1918, published 1920). Via MoMA.

 

Still Life With Commentator 

A collaboration of composer-pianist Vijay Iyer, poet/librettist/performer Mike Ladd, and conceptual artist/theater director Ibrahim Quraishi, Still Life with Commentator is a lyrical, darkly comic transmedia performance/opera examining the role of the audience and the media in modern warfare. Also featuring experimental vocal artist Pamela Z, electronic percussionist/vocalist Guillermo E. Brown, cellist Okkyung Lee, guitarist Liberty Ellman, and actors Palina Jonsdottir and Masa Nakanishi.